Salsa Music Topics

• caribbean currents
• traditional cuban music
• puerto rican music
• caribbean diaspora
• bongo player
• choral singers
• immigrants in america
• cuban immigrants
• latin musicians
• afro cuban
• melodic instruments
• eventual creation
• coln
• nuyorican
• guitar piano
• performing artists
• band leader
• conga
• claves
• bass guitar

Related Images

Source

del.icio.us Tags

• salsa
• music
• research
• wikipedia
• dance
• on2
• background
• info
• baso
• notation
• ires2007
• salsa-music
• music_genre
• eulangage
• salsadance
• mambo

Salsa Music, Salsa Music

Other melodic instruments are commonly used as accompaniment, such as a guitar, the piano, and many others, all depending on the performing artists. The tres guitar was used in a particular style of band known as a conjunto but that format is nearly extinct and it is indeed a rarity to find a band that uses a tres. Bands typically consist of up to a dozen people, one of whom serves as band leader, directing the music as it is played. Two to four players generally specialize in horns, while there are generally one or two choral singers and players of the bongo, conga, bass guitar, piano and timbales . The maracas, claves or giro may also be played, typically by a vocalist. The bongocero (Bongo player) will usually switch to a kind of bell called a campana (or bongo bell ) for the montuno section of a song. Horns are typically either two trumpets or four trumpets or, most commonly, two trumpets with at least one saxophone or trombone. Manuel, Caribbean Currents , pg. 83 Very important is to note that Salsa music is mostly played in a clave 32 as a main different from the majority of traditional Cuban music but, both share the same time in a scale.

Many Latin musicians in New York were Puerto Rican, and it was these performers who innovated the style now known as salsa music , based largely off Cuban, and to a lesser extent, Puerto Rican music. Waxer, pg. 1 The diasporic nature of these Cuban and Puerto Rican communities in New York, which set the foundation for the expansion, and eventual creation of, the genre now known as salsa . With the influx of Puerto Rican and Cuban immigrants in America since the 1950s, a unique Afro-Caribbean diaspora was in play. Artists such as Willie Coln, amongst others, were well known for traveling back and forth between The Bronx and his homeland of Puerto Rico. In his travels, Willie Coln collected influences of the Afro-Cuban, Puerto Rican, and Nuyorican communities and demonstrated these through much of his music. Alongside another Salsa pioneer, Hctor Lavoe, both artists combined musical traditions in a manner that showcased and in many ways reflected the culture and soundscape of their New York barrios while still paying homage to their beloved Puerto Rico. Flores, J: "Creolit In The Hood: Diaspora as Source and Challenge", page 285. City University of New York, 2004 Salsa evolved steadily through the later 1970s and into the '80s and '90s. New instruments were adopted and new national styles, like the music of Brazil, were adapted to salsa. New subgenres appeared, such as the sweet love songs called salsa romantica, while salsa became a major part of the music scene in Venezuela, Mexico and as far away as Japan. Diverse influences, including most prominently hip hop music, came to shape the evolving genre. By the turn of the century, salsa was one of the major fields of popular music in the world, and salsa stars were international celebrities.

Source: Wikipedia > Salsa Music