Lonnie Mack Topics

• jimmy guterman
• guitar world magazine
• memphis man
• landmark recordings
• godfather of soul james brown
• rock guitarists
• landmark rock
• soul ballads
• session guitarist
• godfather of soul
• bill millar
• guitar recordings
• label recordings
• vocal recordings
• skydog
• roots rock
• blue eyed soul
• dubrow
• duane allman

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Pinnell, Ph. D., as "a milestone of early rock guitar" and, in 1980, was ranked by Guitar World magazine as the premier "landmark" rock guitar recording to date. "Landmark Recordings", Guitar World, July, 1980 and July, 1990, p. 97 In 1992, music critic Jimmy Guterman rated Mack's first album, 1963's The Wham of that Memphis Man! , No. 16 in his book The 100 Best Rock 'n' Roll Records of All Time . Guterman, The Best Rock 'N' Roll Records of All Time, 1992, Citadel Publishing Mack's solos influenced a generation of rock guitarists. Poe, "Skydog: The Duane Allman Story", Backbeat, 2006, pp. 10-11 Potoski, "SRV: Caught in the Crossfire", Backbeat, 1993, pp. 15-16 Lonnie Mack is also known for his "blue-eyed soul" ballads, and the diversity of his repertoire, which, at different times, emphasized country, blues, rockabilly, southern rock, R&B, roots-rock, bluegrass and gospel.

However, his roadhouse performances typically included both vocals and instrumentals. Accordingly, in 1963, Fraternity granted Mack's request to record a number of tunes featuring his singing talents. Delehant, "Lonnie Mack Four Years After Memphis", Hit Parade, 1967; Bill Millar, liner notes to "Memphis Wham!" Although Mack ultimately became better known for his guitar recordings, his early "blue-eyed soul" vocal recordings were critically acclaimed. Alec Dubrow, Rolling Stone, November 23, 1968) Quote: The guitar, always high and uptight, is backed by and pitted against either the chorus, the saxes, or both.

John Morthland, "Lonnie Mack", Output, March 1984) The Wham of that Memphis Man.

During this time, Mack also built a portfolio as an R&B recording-session guitarist. He worked with Cincinnati's premier record label, Syd Nathan's King Records, playing second guitar on a number of King-label recordings by blues singer-guitarist Freddie King, and lead guitar on several King-label recordings by "The Godfather of Soul", James Brown. see full Mack discography at http://www.koti.mbnet.fi/wdd/lonniemack.htm Brown's band can be heard accompanying Mack on 1967's "Stone Fox"; beyond that, however, it was a Lonnie Mack R&B guitar instrumental.

Tracy, Ph. D.: (1) Liner notes to Ace CD "Albert Washington: Blues and Soul Man, with Lonnie Mack" and (2) Going to Cincinnati: A History of the Blues in the Queen City , Univ. Of Illinois Press, 1988, p. 165 et. seq and all were later reissued in the UK.

Holzman, Follow the Music , First Media, 1998, p. 367 Thus began a lengthy period of near-seclusion, during which Mack performed only sporadically, and recorded almost exclusively in a markedly pastoral, country-inflected style which reportedly disappointed his fans. See, e.g., Review of Mack's records,, http://www.geocities.com/badcatrecords/MACKlonnie.htm Fourteen years were to pass before Mack released another blues-rock album. The lyrics of several Mack tunes shed light on his decision to withdraw from the spotlight at age 30, accolades in hand and his star as a rock guitarist still rising. According to one tune, he yearned for the simple, anonymous, country life of his youth. Lonnie Mack Quote: I don't care what you think of me, I'm a-gonna live my life bein' country. Had a fancy job out in Hollywood, everybody said I was doin' good. Had lots of money and opportunities, but I'm a-gonna live my life bein' country.

Mack and Vaughan had first met in 1979, McDevitt , "Unsung Guitar Hero Lonnie Mack", Gibson Lifestyle, 2007, when Mack, acting on a tip from Vaughan's older brother, guitarist Jimmie Vaughan, went to hear him play at a local bar. Vaughan recalled the meeting in a 1985 interview: Mack and Vaughan became close friends after that first meeting. Despite the generation gap between them, Mack said that he and Vaughan "were always on the same level", describing Vaughan as "an old spirit...in a young man's body". 1990 Lonnie Mack interview by Rikki Dee Hall.

Source: Wikipedia > Lonnie Mack