Cubase Topics

• atari 1040st
• convolution reverb
• atari 520st
• cubase sx
• impressive resolution
• pitch correction
• feature quality
• bit technology
• graphic representation
• digital performer
• nuendo
• colour screen
• articulations
• steinberg cubase
• drum machine
• pro tools
• computer owners
• music production
• recording studios
• previous versions

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Cubase, Cubase

Looking for Steinberg Cubase?

The program offers recording, producing and mixing of sounds in order to make music production for distribution on CDs or the internet. Most of the facilities in recording studios are now available for computer owners using Cubase or other similar products.

Steinberg officially started shipping Cubase 5 on January 27, 2009 Steinberg Starts Shipping Cubase 5 . The many new features Official Steinberg Website - new features of Cubase 5 include: drum machine features, vocal editing and (real time) pitch correction, VST expression tools for easy editing of instrument articulations, improved handling of automation data, and a VST3 convolution reverb. This version also supports 64-bit technology under Windows Vista.

Logic Pro, Pro Tools, Digital Performer, or Cakewalk), so while actual pure recorded audio information can be exchanged, it is hard to import a whole project (with specific edits, instrument information and automation) in its native format from Cubase to another application and vice versa. The cross-platform OMFI format (which is supported by Cubase SX) resolves this issue to some extent.

Cubase for Atari was MIDI only and ran on the Atari 520ST and Atari 1040ST. Although it would run on a colour screen, the best resolution was obtained by using the SM 124 monochrome monitor which gave, for its time, an impressive resolution of 640x400 The main innovation of Cubase for the Atari was the graphic arrange page. The Arrange Page, since copied by just about every other similar product, allowed for the graphic representation of the composition using a vertical list of tracks and a horizontal timeline.

Although bringing vast improvements in both stability and feature quality, there were many features from Cubase VST that didn't make it into the new version, much to the annoyance of users upgrading from previous versions.

The sound of Cubase VST was considered inferior to its competitors and Cubase SX corrected this with its inheritance of Nuendo's audio engine.

Notably the copy protection code was embedded in the Key Editor where users could move MIDI Notes. The cracked version of SX1 was identifiable by its tendency to crash if a user moved notes in the Key Editor. One of the caveats of Cubase SX1 was the loss of the Dynamic Events, a major feature of Cubase VST.

It was up to a user on the Cubase forums to announce that DX Plugins were no longer supported in the program.

To give the ability to import older Cubase VST projects and songs Steinberg decided to make the previous Cubase SX3 and Cubase SL3 versions available as a download.

Cubase VST was offering a tremendous amount of power to the home user, but computer hardware took some time to catch up. By the time it did, VST's audio editing capability was found to be lacking when compared with competitors such as Pro Tools DAE and Digital Performer MAS.

This version had a steep learning curve for users of older Cubase versions. However, once the new methods of working were learned, the improvements in handling of audio and automation made for a more professional sequencer and audio editor.

Early versions of Cubase VST did not have this capability. Cubase SX also featured real-time time-stretching and adjustment of audio tempo, much like Sonic Foundry's ground-breaking ACID.

Source: Wikipedia > Steinberg Cubase