Rhythm section parts are usually improvised or otherwise invented by the performers themselves using chord symbols or a lead sheet as a guide. (Rhythm section instruments include guitars, bass guitars, string basses, piano and other keyboard instruments, and drums.) An existing pop song can be re-recorded with a different arrangement to the original. As well as different instruments, the tempo, time signature and key signature may be altered, sometimes drastically so. The end result is a song that retains familiar phrases and lyrics, but offers something new.. This practice was particularly popular in the late 1960s. Well known examples of this include Joe Cocker's version of The Beatles' With a Little Help from My Friends, and Ike And Tina Turner's version of Creedence Clearwater Revival's Proud Mary. The American group Vanilla Fudge and British group Yes based their early careers on radical re-arrangements of contemporary hits.
Big bands such as those of Duke Ellington, Bennie Moten, and Count Basie performed head arrangements (ibid).
This was particularly so for combos in the bebop era. In general, the larger the ensemble, the greater the need for a formal arrangement, although the early Count Basie big band was famous for its head arrangements, so called because they were worked out by the players themselves, memorized immediately and never written down. Most arrangements for large ensembles, big bands , in the swing era, were written down, however, and credited to a specific arranger, as were later arrangements for the Count Basie big band by Sammy Nestico and Neal Hefti.
Big band arrangements are informally called charts . In the swing era they were usually either arrangements of popular songs or they were entirely new compositions. Duke Ellington's and Billy Strayhorn's arrangements for the Duke Ellington big band were usually new compositions, and some of Eddie Sauter's arrangements for the Benny Goodman band and Artie Shaw's arrangements for his own band were new compositions as well. It became more common to arrange sketchy jazz combo compositions for big band after the bop era.
Source: Wikipedia > Arrangement
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